Did Queen Elizabeth Really Like Paper Art So Much

Fine art drove of the British Royal Family unit

The Royal Drove of the British purple family is the largest private art collection in the world.[one] [two] [3]

Spread amidst 13 occupied and celebrated royal residences in the U.k., the collection is endemic by Elizabeth Two and overseen by the Royal Collection Trust. The Queen owns some of the collection in right of the Crown and some as a private individual. Information technology is made upwards of over 1 one thousand thousand objects,[4] including 7,000 paintings, over 150,000 works on paper,[5] this including 30,000 watercolours and drawings,[6] and about 450,000 photographs,[seven] besides as tapestries, furniture, ceramics, textiles, carriages, weapons, armour, jewellery, clocks, musical instruments, tableware, plants, manuscripts, books, and sculptures.

Some of the buildings which house the drove, similar Hampton Courtroom Palace, are open to the public and non lived in past the Royal Family unit, whilst others, similar Windsor Castle and Kensington Palace, are both residences and open to the public. The Queen's Gallery at Buckingham Palace in London was built specially to exhibit pieces from the collection on a rotating footing. In that location is a similar art gallery next to the Palace of Holyroodhouse in Edinburgh, and a Drawings Gallery at Windsor Castle. The Crown Jewels are on public display in the Jewel Business firm at the Belfry of London.

About 3,000 objects are on loan to museums throughout the world, and many others are lent on a temporary footing to exhibitions.[4]

History [edit]

Few items from before Henry VIII survive. The most of import additions were fabricated by Charles I, a passionate collector of Italian paintings and a major patron of Van Dyck and other Flemish artists. He purchased the majority of the Gonzaga collection from the Duchy of Mantua. The entire Regal Drove, which included one,500 paintings and 500 statues,[eight] was sold after Charles'due south execution in 1649. The 'Sale of the Late King'due south Goods' at Somerset House raised £185,000 for the English Democracy. Other items were given abroad in lieu of payment to settle the rex'south debts.[9] A number of pieces were recovered past Charles 2 after the Restoration of the monarchy in 1660, and they course the basis for the collection today. The Dutch Republic likewise presented Charles with the Dutch Gift of 28 paintings, 12 sculptures, and a selection of furniture. He went on to purchase many paintings and other works.

George III was mainly responsible for forming the collection's outstanding holdings of Onetime Master drawings; large numbers of these, and many Venetian paintings including over forty Canalettos, joined the collection when he bought the drove of Joseph "Consul Smith", which also included a large number of books.[11] Many other drawings were bought from Alessandro Albani, cardinal and art dealer in Rome.[12]

George Four shared Charles I's enthusiasm for collecting, buying up large numbers of Dutch Golden Age paintings and their Flemish contemporaries. Like other English collectors, he took advantage of the not bad quantities of French decorative art on the London market after the French Revolution, and is mostly responsible for the collection'south outstanding holdings of 18th-century French furniture and porcelain, especially Sèvres. He too bought much contemporary English silverish, and many recent and gimmicky English paintings.[13] Queen Victoria and her hubby Albert were keen collectors of contemporary and erstwhile master paintings.

Many objects have been given from the drove to museums, specially by George 3 and Victoria and Albert. In particular, the King'southward Library formed by George 3 with the aid of his librarian Frederick Augusta Barnard, consisting of 65,000 printed books, was given to the British Museum, now the British Library, where they remain every bit a singled-out collection.[fourteen] He likewise donated the "Old Imperial Library" of some 2,000 manuscripts, which are even so segregated equally the Royal manuscripts.[xv] The core of this drove was the purchase by James I of the related collections of Humphrey Llwyd, Lord Lumley, and the Earl of Arundel.[16] Prince Albert's will requested the donation of a number of more often than not early paintings to the National Gallery, London, which Queen Victoria fulfilled.[17]

Mod era [edit]

Throughout the reign of Elizabeth Ii (1952–present), in that location accept been pregnant additions to the collection through judicious purchases, bequests, and gifts from nation states and official bodies.[18] Since 1952, approximately two,500 works accept been added to the Royal Collection.[9] The Commonwealth is strongly represented in this manner: an case is 75 contemporary Canadian watercolours that entered the collection between 1985 and 2001 as a gift from the Canadian Club of Painters in H2o Color.[19] Modern fine art acquired past Elizabeth 2 includes pieces past Sir Anish Kapoor, Lucian Freud, and Andy Warhol.[9] In 2002 it was revealed that xx paintings (excluding works on newspaper) were acquired by the Queen in the first 50 years of her reign, mostly portraits of previous monarchs or their close relatives. Eight were purchased at sale, six bought from dealers, iii deputed, two donated or bequeathed, and one was a purchase from Winchester Cathedral.[20] [21]

In 1987 a new department of the Royal Household was established to oversee the Royal Collection, and information technology was financed by the commercial activities of Royal Collection Enterprises, a limited company. Earlier and so, it was maintained using the monarch's official income paid by the Civil List. Since 1993 the collection has been funded past archway fees to Windsor Castle and Buckingham Palace.[22]

Collection [edit]

The Gold Land Omnibus was deputed by George 3 in 1760.

A computerised inventory of the collection was started in early on 1991,[23] and it was completed in Dec 1997.[24] The full inventory is not available to the public, though catalogues of parts of the collection – particularly paintings – have been published, and a searchable database on the Royal Drove website is increasingly comprehensive,[25] with "271,697 items plant" by late 2020.[26]

About a third of the vii,000 paintings in the drove are on view or stored at buildings in London which fall under the remit of the Celebrated Royal Palaces agency: the Tower of London, Hampton Courtroom Palace, Kensington Palace, Banqueting House (Whitehall), and Kew Palace.[27] The Jewel Firm and Martin Tower at the Tower of London also house the Crown Jewels. A rotating selection of fine art, furniture, jewellery, and other items considered to be of the highest quality is shown at the Queen's Gallery, a purpose-built exhibition centre virtually Buckingham Palace.[28] Many objects are displayed in the palace itself, the state rooms of which are open to visitors for much of the year, besides as in Windsor Castle, Holyrood Palace in Edinburgh, the Majestic Pavilion in Brighton, and Osborne House on the Island of Wight. Some works are on long-term or permanent loan to museums and other places; the virtually famous of these are the Raphael Cartoons, in the Victoria and Albert Museum in London since 1865.[29]

Paintings, prints and drawings [edit]

The drove's holdings of Western fine fine art are among the largest and nigh of import assemblages in existence, with works of the highest quality, and in many cases artists whose works cannot be fully understood without a report of the holdings contained inside the Majestic Drove. There are over 7,000 paintings, spread across the Royal residences and palaces. The collection does not merits to provide a comprehensive, chronological survey of Western fine art but it has been shaped by the private tastes of kings, queens and their families over the last 500 years.

The prints and drawings drove is based in the Print Room, Windsor, and is uncommonly strong, with famous holdings of drawings by Leonardo da Vinci (550), Raphael, Michelangelo and Hans Holbein the Younger (85). A large part of the Old Main drawings were acquired by George III.[31] Starting in early 2019, 144 of Leonardo da Vinci's drawings from the Collection went on display in 12 locations in the UK.[32] From May to October that year, 200 of the drawings were on brandish in the Queen'southward Gallery at Buckingham Palace.[33]

  • Benjamin West – at least 60 paintings
  • Abraham Bloemaert – at least ane painting
  • Gerard ter Borch – at least 2 paintings
  • Jan Dirksz Both – at least at least i painting
  • Jan de Bray – at least at least 1 painting
  • Hendrick ter Brugghen – at least 1 painting
  • Aelbert Cuyp – at to the lowest degree 7 paintings
  • Gerrit Dou – at least four paintings
  • Frans Hals – at least 1 painting
  • Hugo van der Goes – at least 1 painting
  • Maarten van Heemskerck – at least two paintings
  • January van der Heyden – at least 2 paintings
  • Meyndert Hobbema – at least 2 paintings
  • Melchior d'Hondecoeter – at to the lowest degree iv paintings
  • Gerard van Honthorst – at to the lowest degree 6 paintings
  • Pieter de Hooch – at least 3 paintings
  • Nicolaes Maes – at least 1 painting
  • January Mertens the Younger – at to the lowest degree ane painting
  • Gabriel Metsu – at to the lowest degree 1 painting
  • Daniël Mijtens – at least ix paintings
  • Adriaen van Ostade – at to the lowest degree 5 paintings
  • Rembrandt – at least 6 paintings
  • Salomon van Ruysdael – at least i painting
  • Jacob Isaakszoon van Ruisdael – at least 1 painting
  • January Steen – at to the lowest degree 7 paintings
  • Adriaen van de Velde – at least 4 paintings
  • Willem van de Velde the Younger – at to the lowest degree 7 paintings
  • Johannes Vermeer – at least ane painting (come across epitome)
  • January Weenix – at least i painting:
  • Adriaen van der Werff – at least 1 painting
  • Philip Wouwerman – at least 5 paintings
  • William Beechey – at least 17 paintings
  • Thomas Gainsborough – at least 33 paintings, including a rare mythological piece of work, Diana and Actaeon
  • William Hogarth – at least 3 paintings
  • John Hoppner – at least vii paintings
  • Cornelis Janssens van Ceulen – at to the lowest degree two paintings
  • Sir Godfrey Kneller – at least fifteen paintings
  • Edwin Henry Landseer – at to the lowest degree 100 paintings and drawings
  • Thomas Lawrence – at least 50 paintings
  • Peter Lely – at least 20 paintings
  • Joshua Reynolds – at least 20+ paintings
  • George Stubbs – at to the lowest degree 18 paintings
  • January Brueghel the Elderberry – at to the lowest degree ane painting
  • Pieter Bruegel the Elderberry – at least 1 painting
  • Denys Calvaert – at to the lowest degree 1 painting
  • Joos van Cleve – at least iv paintings
  • Pieter van Coninxloo – at least 1 painting
  • Anthony van Dyck – at least 26 paintings
  • Frans Francken the Younger – at least 1 painting
  • Marcus Gheeraerts the Younger – at least 1 painting
  • Frans Hals – at to the lowest degree ane painting
  • Jan Mabuse – at least ane painting
  • Quentin Matsys – at least 1 painting
  • Hans Memling – at least 1 painting
  • Frans Pourbus the younger – at to the lowest degree 2 paintings
  • Jan Provoost – at least 1 painting
  • Peter Paul Rubens – at least 13 paintings, 5 drawings (see image)
  • David Teniers the Younger – at least 27 paintings
  • François Clouet – at least 3 paintings
  • Jean Clouet – at least 1 painting, 1 miniature
  • Hippolyte Delaroche – at least 3 paintings
  • Gaspard Dughet – at to the lowest degree 3 paintings
  • Nicolas de Largillière – at least 1 painting
  • Jean-Étienne Liotard – at least 16 paintings
  • Claude Lorrain – at least 5 paintings
  • Claude Monet – at least 1 painting
  • Louis Le Nain – at to the lowest degree one painting
  • Jean-Baptiste Pater – at least 4 paintings
  • Nicolas Poussin – at to the lowest degree A big collection of his drawings at Windsor, second only to that in the Musée du Louvre
  • Eustache Le Sueur – at to the lowest degree 1 painting
  • Georges de La Bout – at least 1 painting
  • Simon Vouet – at least 1 painting
  • Albrecht Dürer – at least 1 painting
  • Hans Holbein the Younger – at least 7 paintings, 80 drawings and v miniatures
  • Lucas Cranach the Elder – at least 5 paintings
  • Lucas Cranach the Younger – at least 1 painting
  • Georg Pencz – at least 1 painting
  • Franz Xaver Winterhalter – at to the lowest degree 120 paintings, xx drawings & watercolours
  • Johann Zoffany – at to the lowest degree 17 paintings
  • Niccolò dell'Abbate – at least 1 painting
  • Alessandro Allori – at least ane painting
  • Fra Angelico – at least 1 painting
  • Jacopo Bassano – at to the lowest degree 6 paintings
  • Leandro Bassano – at least 3 paintings
  • Giovanni Bellini – at least 1 painting
  • Gian Lorenzo Bernini – at least 50 drawings
  • Francesco Borromini – at least 100 drawings
  • Bronzino (Agnolo di Cosimo) – at least one painting
  • Canaletto (Giovanni Antonio Culvert) – at to the lowest degree 50 paintings and 140 drawings
  • Caravaggio (Michelangelo Merisi da Caravaggio) – at to the lowest degree ii paintings
  • Polidoro da Caravaggio – at least 9 paintings
  • Giovanni Cariani – at least two paintings
  • Luca Carlevaris – at least 4 paintings
  • Agostino, Annibale and Ludovico Carracci – at to the lowest degree v paintings, more than than 350 drawings
  • Cima da Conegliano – at to the lowest degree 1 painting
  • Jacopo di Cione – at least one painting
  • Antonio da Correggio – at least two paintings
  • Giovanni Benedetto Castiglione – at least 260 drawings
  • Bernardo Daddi – at to the lowest degree i painting
  • Carlo Dolci – at to the lowest degree ane painting
  • Domenichino (Domenico Zampieri) – at least one painting, as well equally 1,700 drawings in 34 albums, the Imperial Collection's largest holdings by a unmarried artist[ citation needed ]
  • Dosso Dossi – at least 2 paintings
  • Duccio – at least ane painting
  • Gentile da Fabriano – at to the lowest degree 1 painting
  • Girolamo Forabosco – at least 1 painting
  • Domenico Fetti – at least xiv paintings
  • Lattanzio Gambara – at least viii paintings
  • Benvenuto Tisi (Il Garofalo) – at least one painting
  • Raffaellino del Garbo – at to the lowest degree i painting
  • Artemisia Gentileschi – at least 1 painting
  • Orazio Gentileschi – at least 2 paintings
  • Luca Giordano – at least 12 paintings
  • Guercino (Giovanni Francesco Barbieri) – at least ane painting, and largest group of Guercino drawings in the earth, some 400 sheets, likewise as 200 by his administration and 200 other works[35]
  • Leonardo da Vinci – at least 600 drawings, finest collection of Leonardo drawings in the globe[36]
  • Bernardino Licinio – at least iv paintings
  • Pietro Longhi – at least 2 paintings
  • Lorenzo Lotto – at least 3 paintings – at least Portrait of Andrea Odoni
  • Andrea Mantegna – at least 9 canvases known as The Triumphs of Caesar
  • Ludovico Mazzolino – at least i painting
  • Michelangelo – at least twenty drawings
  • Parmigianino (Francesco Mazzola) – at least 2 paintings and thirty drawings
  • Pietro Perugino – at least i painting
  • Francesco Pesellino – at least ane painting
  • Pontormo (Jacopo da Pontormo) – at least 1 painting
  • Raphael – at to the lowest degree 8 paintings, too equally an all-encompassing collection of drawings. In that location are seven full-size cartoons for the tapestries designed to hang in the Sistine Chapel. During the eighteenth and early nineteenth centuries, Raphael attained the zenith of his reputation. Consequently, the Raphael Cartoons accept get some of the nigh famous, and widely imitated, paintings in the world. Since 1865 they have been on loan from the Royal Drove to the V&A.[37]
  • Guido Reni – at least 1 painting
  • Sebastiano Ricci – at least fourteen paintings
  • Girolamo Romanino – at least 1 painting
  • Giulio Romano – at least six paintings
  • Andrea Sacchi – at least 130 drawings
  • Francesco de' Rossi (Il Salviati) – at least i painting
  • Andrea del Sarto – at least 2 paintings
  • Girolamo Savoldo – at least 2 paintings
  • Andrea Schiavone – at to the lowest degree two paintings
  • Bernardo Strozzi – at least 1 painting
  • Zanobi Strozzi – at least i painting
  • Tintoretto – at least 5 paintings
  • Titian (Tiziano Vecelli) – at least four paintings
  • Alessandro Turchi – at least 4 paintings
  • Perin del Vaga – at least 2 paintings
  • Giorgio Vasari – at least one painting
  • Palma Vecchio – at least 2 paintings
  • Paolo Veronese – at to the lowest degree 3 paintings
  • Antonio Verrio – at to the lowest degree i painting
  • Francesco Zuccarelli – at least 27 paintings, together with 8 works collaborated with Antonio Visentini
  • Federico Zuccari – at least 1 painting

Furniture [edit]

Numbering over 300 items, the Regal Collection holds one of the greatest and about important collections of French furniture ever assembled. The drove is noted for its encyclopedic range also every bit counting the greatest cabinet-makers of the Ancien Régime.

  • Joseph Baumhauer – Bas d'armoire, c. 1765–70
  • Pierre-Antoine Bellangé – at least thirteen items, including:
    Deux paire de Pedestals, inset with porcelain plaques, c. 1820
    Paire de pier tabular array, c. 1823–1824 (The Blue Cartoon Room, Buckingham Palace)
    Paire de petit pier tabular array, c. 1823–24 (The Blue Drawing Room, Buckingham Palace)
    Side tabular array, c. 1820
    Paire de secretaire, c. 1827-28
    Paire de cabinets, (run across pietra dura section), c. 1820
  • André-Charles Boulle – at least thirteen items, including:
    Armoire, c. 1700 (The Grand Corridor, Windsor Castle)
    Armoire, c. 1700 (The Grand Corridor, Windsor Castle)
    Cabinet (en première-partie), c. 1700 (The Yard Corridor, Windsor Castle)
    Cabinet (en contre-partie), c. 1700 (The Grand Corridor, Windsor Castle)
    Cabinet, (without stand, similar to ones in the State Hermitage Museum and the collections of the Duke of Buccleuch)
    Paire de bas d'armoire, (The Yard Corridor, Windsor Castle)
    Writing table, possibly delivered to Louis, the M Dauphin (1661–1711), c. 1680
    Paire de torchère, c. 1700
    Bureau Plat, c. 1710 (The Rubens Room, Windsor Castle)
    Petit gaines, attributed to., early 18th century
  • Martin Carlin – at least 2 items:
    Cabinet (commode à vantaux), (see pietra dura section), c. 1778
    Chiffonier, mounted with Sèvres plaques, c. 1783
  • Jacob-Desmalter & Cie – at least ane particular:
    Agency à cylindre, c. 1825
  • Jacob Frères – at least one item:
    Writing-tabular array, c. 1805
  • Gérard-Jean Galle – at to the lowest degree ane detail:
    Candelabra x2, early 19th century
  • Pierre Garnier – at least 2 items:
    Paire de cabinets, c. 1770
  • Georges Jacob – at least 30 items, including:
    Petit sofa, c. 1790
    Tête-à-tête, c. 1790
    Fauteuil, c. 1790
    Lit à la Polonaise, c. 1790
    Small armchairs and settees, suite of twenty, c. 1786
    Armchairs x4, c. 1786
  • Gilles Joubert – at least two items:
    Pair of Pedestals, delivered for the bedroom of Louis Xv at Versailles, c. 1762
  • Pierre Langlois – at least 5 items, including:
    Commode, c. 1765 Deux paire de commode, c. 1763
  • Étienne Levasseur – at least seven items:
    Side-tabular array, attributed to, c. 1770 Deux paire de gaines, attributed to, c. 1770 Deux secretaire, adapted from an Andre-Charles Boulle tabular array en bureau, c. 1770
  • Martin-Eloy Lignereux – at least 2 items:
    Paire de cabinets, (run across pietra dura section), c. 1803
  • Bernard Molitor – at to the lowest degree three items:
    Commode, c. 1780
    Paire de secretaires, c. 1815
  • Bernard II van Risamburgh – at least 2 items:
    Centre-table, c. 1775
    Commode, c. 1745
  • Jean Henri Riesener – at least half dozen items:
    Commode, delivered to Louis 16's "Chambre du Roi" at Versailles, c. 1774;
    Paire de encoignure, delivered to Louis Sixteen's "Chambre du Roi" at Versailles, c. 1774;
    Jewel-chiffonier, delivered to the Comtesse de Provence, c. 1787
    Writing-table, c. 1785
    Agency à cylindre, c. 1775
  • Sèvres – at least 1 item:
    Centre-table, 'The Table of the K Commanders', c. 1806–12 (The Bluish Drawing Room, Buckingham Palace)
  • Pierre-Philippe Thomire – at least xv items, including:
    Pedestal, c. 1813
    Pedestal for the equestrian statue of Louis XIV, c. 1826
    Paire de candelabra, 8 light, c. 1828
    Torchères x11, c. 1814
    Clock, mounts attributed to., 1803
    Candelabra x2, early on 19th century
  • Benjamin Vulliamy & Benjamin Lewis Vulliamy – at least four items:
    Torchere x4, 1814
  • Benjamin Vulliamy – at least 3 items:
    Candelabrum x2, 1811
    Mantel clock, c. 1780
  • Adam Weisweiler – at least thirteen items:
    Cabinet, inset with a Sèvres plaque, late 18th century
    Cabinet, (come across pietra dura section), 1780
    Side Table, (see pietra dura section), c. 1780
    Side Table, (run into pietra dura section), c. 1785 (The Green Drawing Room, Buckingham Palace)
    Paire de pier-tabular array, in chinoiserie fashion, c. 1787–1790
    Commode, c. 1785
    Console-table x4, c.1785
    Paire de petit bas d'armoire, manner of. boulle, late 18th century
  • Robert Hume (English) – at least 1 item:
    Pair of cabinets, (run across pietra dura section), c. 1820
  • Unknown (Flemish) – at least 2 items:
    Cabinet-on-stand, c. 1660
    Cabinet-on-stand, 17th century
  • Johann Daniel Sommer (German) – at least 2 items:
    Pair of cabinets-on-stand, attributed to. (stands English), tardily 17th century
  • Melchior Baumgartner (German) – at least 2 items:
    Organ Clock, 1664
    Cabinet, (see Pietra Dura section), c. 1660
  • Unknown (Dutch) – at to the lowest degree 1 item:
    Secretaire-cabinet, in boulle marquetry, c. 1700
  • Pietra Dura – at least eleven items:
    Cabinet, Augsburg, attributed to Melchior Baumgartner, c. 1660
    Chiffonier, Italian, c. 1680
    Cabinet, Adam Weisweiler – at least inset with pietra dura panels, 1780 (The Dark-green Cartoon Room, Buckingham Palace)
    Side Table, Adam Weisweiler – at least inset with pietra dura panels, c. 1780 (The Silk Tapestry Room, Buckingham Palace)
    Cabinet (commode à vantaux), Martin Carlin – at least inset with pietra dura panels re-used from Louis XIVs nifty Florentine cabinets, c. 1778 (The Silk Tapestry Room, Buckingham Palace)
    Casket, Italian: Florentine, c. 1720
    Paire de cabinets, Martin-Eloy Lignereux – at least inset with Florentine plaques, c. 1803
    • Paire de cabinets, Pierre-Antoine Bellangé – at least inset with precious stones based on a Florentine blueprint by Baccio del Bianco, c. 1820
    Pair of cabinets, Robert Hume, c. 1820 (The Crimson Drawing Room, Windsor Castle)
    Iv Florentine pietra dura panels on 18th century cabinets, re-adapted, c. 1820s (The White Drawing Room, Buckingham Palace)
  • Miscellaneous:
    Cabinet-on-stand, magnificent example equanimous of ebony, mid-17th century
    Bureau, magnificent instance similar to a version in both the V&A and the Getty Museum, 1690–95
    Bureaux Mazarin x2, in Boulle style, belatedly 17th century
    Bureaux Mazarin x2, in Boulle mode, c. 1700 (The Ballroom, Windsor Castle)
    Bureaux Mazarin, late 17th century (The W Gallery, Buckingham Palace)
    Deux paire de boulle bas d'cabinets

Sculpture and decorative arts [edit]

  • André-Charles Boulle – at least four items:
    Pall clock, c. 1710 (The Green Drawing Room, Windsor Castle)
    Pedestal clock, (Like to ones in Blenheim Palace, Chateau de Versailles, The Metropolitan Museum of Art, The Frick Drove and the Cleveland Museum of Art)
    Pedestal clock, belatedly 17th century;
    Pedestal clock, c. 1720
  • Abraham-Louis Breguet – at least ane item:
    Empire regulator clock, 1825
  • De La Croix – at to the lowest degree ane item:
    Large clock, raised on a bronze plaque plinth, c. 1775 (The Due east Gallery, Buckingham Palace)
  • Gérard-Jean Galle – at least one particular:
    Clock, figures and frieze representing the Oath of the Horaatii, early 19th century
  • Jean-Pierre Latz – at least 2 items:
    Pedestal Clock, (reputed from the Chateau de Versailles), c. 1735–forty
    Barometer and Pedestal, c. 1735
  • Jean Antoine Lépine – at least 1 detail:
    Clock, in the form of an African Diana, the goddess of the Hunt, 1790 (The Blue Drawing Room, Buckingham Palace)
    Astronomical Clock, c. 1790 (The Blue Drawing Room, Buckingham Palace)
  • Martin-Eloy Lignereux – at to the lowest degree one item:
    Clock, 1803
  • Pierre-Philippe Thomire – at least 1 particular:
    Clock, in the grade of Apollo's chariot, c. 1805 (The State Dining Room, Buckingham Palace)
  • Benjamin Vulliamy – at to the lowest degree 1 item:
    Clock, in the class of a bull, c. 1755–1760
  • Benjamin Lewis Vulliamy – at least 1 item:
    Clock, fitted with three porcelain figures, c. 1788 (The State Dining Room, Buckingham Palace)
  • Matthew Boulton – at least 4 items:
    Two pairs of vases, c. late 18th century (The Marble Hall, Buckingham Palace)
  • Fabergé – at to the lowest degree 3 Purple Eggs and i Easter Egg
  • Gérard-Jean Galle – at to the lowest degree 2 items:
    Candelabrum x2, in the class of cornucopias, c. early 19th century
  • François Rémond – at least 12 items:
    Candelabra x8, iv pairs, c. 1787 (The Blue Drawing Room & The Music Room, Buckingham Palace)
    Candelabra x4, delivered to the comte d'Artois for the cabinet de Turc at Versailles, 1783 (The State Dining Room, Buckingham Palace)
  • Pierre-Philippe Thomire – at to the lowest degree three items:
    Vase, c. early 19th century (The Music Room, Windsor Castle)
    Candelabra x2, malachite and bronze, early 19th century (The White Drawing Room, Buckingham Palace)
    Candelabra x2, malachite and statuary, c. 1828 (The Land Dining Room, Buckingham Palace)
    Candelabra x4, figures of patinated bronze, c. 1810 (The East Gallery, Buckingham Palace)
  • Sèvres porcelain – Arguably the world'southward largest drove
  • Chelsea porcelain – Complete service finished in 1763
  • Antonio Canova – at least 3 items:
    Mars and Venus, c. 1815–1817 (The Ministers' Staircase, Buckingham Palace)
    Fountain nymph, 1819 (The Marble Hall, Buckingham Palace)
    Dirce, 1824 (The Marble Hall, Buckingham Palace)
  • François Girardon – at least 1 detail:
    Bronze equestrian statue of Louis 14, after Girardon, c. 1700
  • Louis-Claude Vassé – at least one detail:
    Equestrian statue of Louis Fifteen, a modest reduction copy after the original by Edmé Bouchardon, c. 1764
  • Antiquities – at least 2 items:
    British Bronze Age - the Rillaton Gilt Cup, on long-term loan to the British Museum.[38]
    Lely Venus, a Hellenistic statue of the "crouching Venus" type, bought by Charles I, on long-term loan to the British Museum.
  • The Story of Abraham, set of ten, woven in Brussels in the 1540s for Henry VIII
  • Gobelins – at least 36 items:
    Tapestry, four (from a series of twenty-eight designs) from the 'History of Don Quixote' given by Louis XVI to Richard Cosway, by whom presented to George Four, c. 1788
    Tapestry, 8 from the series 'Les Portières des Dieux', c. 18th century
    Tapestry, four from the serial 'Les Amours des Dieux', c. late 18th century
    Tapestry, eight from the series 'Jason and the Golden Fleece', 1776-1779
    Tapestry, seven from the series 'History of Esther', 1783
    Tapestry, three from the serial 'Story of Daphnis and Chloë', 1754
    Tapestry, two from the serial 'Story of Meleager and Atalanta', 1844

Costume [edit]

Elizabeth II showing works of art to Enrique Peña Nieto, then President of Mexico, on his land visit to the UK in 2015

The collection has a number of items of clothing, including those worn by members of the Royal family, particularly female members, some going back to the early 19th century. These include ceremonial dress and several wedding dresses, including that of Queen Victoria (1840).[39] There are also servant's livery uniforms, and a number of exotic pieces presented over the years, going back to a "war coat" of Tipu Sultan (d. 1799).[forty] In recent years these have featured more prominently in displays and exhibitions, and are popular with the public.

Gems and Jewels [edit]

A drove of 277 cameos, intaglios, badges of insignia, snuffboxes and pieces of jewellery known as the Gems and Jewels are kept at Windsor Castle. Separate from Elizabeth II's jewels and the Crown Jewels, 24 pre-date the Renaissance and the rest were made in the 16th–19th centuries. In 1862, information technology was commencement shown publicly at the Southward Kensington Museum, at present the Victoria and Albert Museum. Several objects were removed and others added in the second half of the Victorian period. An inventory of the collection was fabricated in 1872, and a catalogue, Aboriginal and Modern Gems and Jewels in the Collection of Her Majesty The Queen, was published in 2008 past the Royal Collection Trust.[41]

Ownership [edit]

The Majestic Drove is privately owned, although some of the works are displayed in areas of palaces and other imperial residences open to visitors for the public to relish.[42] Some of the collection is owned past the monarch personally,[43] and everything else is described as being held in trust by the monarch in right of the Crown. It is understood that works of art acquired past monarchs up to the expiry of Queen Victoria in 1901 are heirlooms which fall into the latter category. Items the British majestic family acquired later, including official gifts,[44] can be added to that function of the collection past a monarch at his or her discretion. Ambiguity surrounds the status of objects that have come into the possession of Elizabeth II during her reign.[45] The Purple Collection Trust has confirmed that all pieces left to the Queen by the Queen Female parent, which include works by Monet, Nash, and Fabergé, belong to her personally.[46] Information technology has as well been confirmed that she owns the Imperial stamp collection, inherited from her father George VI, as a individual individual.[47]

Not-personal items are said to exist inalienable every bit they can only be willed to the monarch'due south successor. The legal accuracy of this claim has never been substantiated in court.[48] Co-ordinate to Cameron Cobbold, then Lord Chamberlain, speaking in 1971, pocket-size items have occasionally been sold to assistance raise coin for acquisitions, and duplicates of items are given abroad as presents within the Democracy.[45] In 1995, Iain Sproat, then Secretary of State for National Heritage, told the House of Commons that selling objects was "entirely a matter for the Queen".[49] In a 2000 television interview, the Duke of Edinburgh said that the Queen was "technically, perfectly at liberty to sell them".[28]

Hypothetical questions have been asked in Parliament about what should happen to the drove if the UK always becomes a republic.[50] In other European countries, the art collections of deposed monarchies commonly have been taken into state ownership or become office of other national collections held in trust for the public's enjoyment.[51] Nether the European Convention on Human Rights, incorporated into British law in 1998, the monarch may accept to be compensated for the loss of any assets held in right of the Crown unless he or she agreed to give up them voluntarily.[52]

Management [edit]

Logo of the Royal Drove Trust

A registered clemency, the Royal Collection Trust was ready in 1993 after the Windsor Castle fire with a mandate to conserve the works and enhance the public's appreciation and understanding of art.[53] It employs around 500 staff and is one of the 5 departments of the Royal Household.[54] Buildings do not come under its remit. In 2012, the team of curatorial staff numbered 29, and at that place were 32 conservationists.[55] Income is raised by charging entrance fees to see the collection at various locations and selling books and merchandise to the public. The Trust is financially independent and receives no Regime funding or public subsidy.[56] A studio at Marlborough House is responsible for the conservation of furniture and decorative objects.[57]

Attributable to the COVID-19 pandemic, the Trust lost £64 million during 2020 and announced 130 redundancies, including the roles of Surveyor of the Queen's Pictures and Surveyor of the Queen'southward Works of Fine art.[58]

The Royal Collection Trust is a company limited past guarantee, registered in England and Wales, No. 2713536. It is a Registered Charity No. 1016972; Registered Function: York House, St James'southward Palace, London SW1A 1BQ.

On its website, the Trust describes its purpose as overseeing the "maintenance and conservation of the Purple Collection, field of study to proper custodial control in the service of the Queen and the nation." Information technology too deals with acquisitions for the Regal Collection, and the display of the Royal Drove to the public.

Lath of Trustees [edit]

The Board of Trustees includes the post-obit officers of the Royal Household: the Lord Chamberlain, the Private Secretary to the Sovereign and the Keeper of the Privy Purse. Other Trustees are appointed for their knowledge and expertise in areas relevant to the charity'due south activities. Currently, the trustees are:

  • James Leigh-Pemberton (Chairman)
  • Marc Bolland (Deputy Chairman)
  • Brian Ivory
  • Tony Johnstone-Burt
  • Anna Keay
  • Lord Parker of Minsmere (Lord Chamberlain)
  • Michael Stevens (Keeper of the Privy Handbag)
  • Edward Young (Individual Secretary to the Sovereign)

Direction Board [edit]

The Management Board is the committee responsible for the day-to-solar day running of the Royal Collection. It is appointed by the Board of Trustees.

It consists of:

  • Tim Knox (Director of the Royal Collection)
  • Keith Harrison (Finance Director)
  • Michelle Lockhart (Commercial Managing director)

Gallery [edit]

Come across likewise [edit]

  • Arts Quango Collection
  • Crown Collection
  • Government Fine art Collection
  • Portland Drove
  • Surveyor of the Queen'due south Pictures
  • Surveyor of the Queen's Works of Fine art
  • Wallace Collection

Notes [edit]

  1. ^ All of these paintings ordinarily hang in the palace's Film Gallery. From left to right:
    • Claude Lorrain, Harbour Scene at Sunset (1643)
    • Canaletto, The Piazzetta Looking Northward-West with the Narthex of San Marco (c. 1723–24)
    • Canaletto, The Piazzetta Looking towards San Giorgio Maggiore (c. 1723–24)
    • Canaletto, The Piazzetta Looking towards Santa Maria della Salute (c. 1723–24)
    • Canaletto, The Piazzetta Looking North towards the Torre dell'Orologio (c. 1723–24)
    • Claude Lorrain, Coast Scene with the Rape of Europa (1667)
    • Canaletto, The Bacino di San Marco on Rise Day (c. 1733–34)

References [edit]

  1. ^ Stuart Jeffries (21 November 2002). "Kindness of strangers". The Guardian . Retrieved 15 July 2016.
  2. ^ Jerry Brotton (ii Apr 2006). "The keen British art swindle". The Dominicus Times. Archived from the original on two Dec 2016. Some people know that this is mayhap the finest, and certainly what the imperial palaces website proudly calls "the largest private collection of art in the globe".
  3. ^ Hall, p. 3.
  4. ^ a b "FAQs almost the Purple Drove". Purple Collection Trust. Archived from the original on four April 2016.
  5. ^ "Jeremy, Curator of Prints and Drawings", RC website
  6. ^ "Secrets of the Queen's paintings". The Telegraph. 15 February 2015. Archived from the original on 12 January 2022. Retrieved 21 March 2016.
  7. ^ "About the Collection: Photographs". Imperial Collection Trust . Retrieved 4 March 2019.
  8. ^ Michael Prodger (22 January 2018). "The cavalier collector: how Charles I gained (and lost) some of the globe's all-time art". New Statesman . Retrieved iv March 2019.
  9. ^ a b c Michael Prodger (17 Dec 2017). "The Royals' Treasures". Civilization. The Sunday Times. pp. 44–45.
  10. ^ "Lady at the Virginals with a Gentleman". Royal Drove Trust. Inventory no. 405346.
  11. ^ Lloyd (1991), 143, 164, 166
  12. ^ "George III", Royal Collection
  13. ^ "King George Four", Royal Collection; Lloyd (1991), 143
  14. ^ "The King's Library, British Library
  15. ^ "Royal manuscripts", British Library
  16. ^ R. Brinley Jones, 'Llwyd, Humphrey (1527–1568)', Oxford Lexicon of National Biography, Oxford Academy Press, Sept 2004
  17. ^ "Prince Albert and the Gallery", National Gallery
  18. ^ Sir Hugh Roberts in Roberts, pp. 25 and 391.
  19. ^ Jackson, p. 59.
  20. ^ Martin Bailey (1 Dec 2002). "The Royal Drove discloses listing of twenty pictures purchases over the terminal fifty years". The Art Newspaper . Retrieved eight March 2021.
  21. ^ "The 4 eldest Children of the Rex and Queen of Bohemia". Royal Collection Trust. Inventory no. 404971.
  22. ^ Hall, p. 660.
  23. ^ "Works of Art". Parliamentary Debates (Hansard). Vol. 216. United Kingdom: House of Eatables. 11 January 1993. col. 540W.
  24. ^ "Majestic Collection". Parliamentary Debates (Hansard). Vol. 315. United Kingdom: Business firm of Commons. 7 July 1998. col. 429W.
  25. ^ Hardman, p. 102.
  26. ^ "Explore the Drove", Purple Drove, accessed one October 2020
  27. ^ "Art Collections". Parliamentary Debates (Hansard). Vol. 219. United Kingdom: House of Commons. xix Feb 1993. col. 366W.
  28. ^ a b "The convenient fiction of who owns priceless treasure". The Guardian. 30 May 2002. Retrieved i December 2016.
  29. ^ Clayton and Whitaker, pp. 12 and 16.
  30. ^ "The Triumphs of Caesar: 4. The Vase-Bearers". Royal Collection Trust. Inventory no. 403961.
  31. ^ "Drawings, Watercolours, and Prints". Imperial Collection Trust . Retrieved 16 November 2020.
  32. ^ "LEONARDO DA VINCI: A LIFE IN Drawing". RCT. eight February 2019. Retrieved 29 November 2019. A nationwide celebration during 2019
  33. ^ "Leonardo da Vinci'due south Artistic Brilliance Endures 500 Years Subsequently His Death". National Geographic. 1 May 2019. Retrieved 29 November 2019.
  34. ^ The Social Affairs Unit – at least Web Review: Dutch Paintings at the Royal Drove
  35. ^ "Giuseppe Macpherson (1726-C. 1780) – Guercino (1591-1666)". Majestic Collection Trust . Retrieved xv March 2020.
  36. ^ Jones, Jonathan (30 August 2006). "The real Da Vinci code". The Guardian. London. Retrieved 22 May 2010.
  37. ^ "The story of the Raphael Cartoons". V&A . Retrieved 12 Feb 2019.
  38. ^ "Rillaton Cup", Royal Collection
  39. ^ "Queen Victoria'south wedding dress, 1840", Majestic Collection
  40. ^ "War coat of Tipu Sultan, 1785-xc", Purple Collection
  41. ^ Piacenti and Boardman, p. 11.
  42. ^ Lloyd, p. 11. "It is, therefore, a private collection, although its sheer size (some 7,000 pictures) and its brandish in palaces and royal residences (several of which are open to the public) give it a public dimension".
  43. ^ "Royal Taxation". Parliamentary Debates (Hansard). Vol. 351. United Kingdom: House of Eatables. 7 June 2000. col. 273W. There is a computerised inventory of the Royal Drove which identifies assets held by the Queen every bit Sovereign and equally a private private.
  44. ^ "Force the Royal Family to declare gifts, say MPs". Evening Standard. London. 30 January 2007. Retrieved 26 Nov 2016.
  45. ^ a b Morton, p. 156.
  46. ^ McClure, pp. 209–210.
  47. ^ McClure, p. twenty.
  48. ^ Paxman, p. 165.
  49. ^ "Ethiopian Manuscripts". Parliamentary Debates (Hansard). Vol. 263. United kingdom: House of Commons. 19 July 1995. col. 1463W.
  50. ^ "Majestic Finances". Parliamentary Debates (Hansard). Vol. 388. Uk: Firm of Eatables. 9 July 2002. col. 221WH.
  51. ^ Lloyd, p. 12.
  52. ^ Cahill, p. 77.
  53. ^ Hardman, p. 43.
  54. ^ "Working for us". Royal Collection Trust. Retrieved 21 March 2016.
  55. ^ "The Royal Collection: Not simply for Queen, but too for country". The Telegraph. 28 May 2012. Archived from the original on 12 Jan 2022. Retrieved 21 March 2016.
  56. ^ "Full accounts made upwards to 31 March 2015". Companies House. Retrieved 21 March 2016.
  57. ^ "Almanac report 2006/7" (PDF). Royal Collection Trust. Archived from the original (PDF) on 1 April 2016.
  58. ^ Gareth Harris (24 December 2020). "Curators responsible for Queen's art collection lose their jobs in Covid-19 cost-cut practise". The Fine art Newspaper . Retrieved 8 March 2021.

Bibliography [edit]

  • Cahill, Kevin (2001). Who owns Great britain. Canongate. ISBN978-0-86241-912-7.
  • Clayton, Martin; Whitaker, Lucy (2007). The Art of Italy in the Royal Collection: Renaissance & Bizarre. Majestic Collection Trust. ISBN978-1-902163-29-ane.
  • Hall, Michael (2017). Art, Passion & Ability: The Story of the Majestic Collection. BBC Books. ISBN978-1-785-94261-7.
  • Hardman, Robert (2011). Our Queen. Random Firm. ISBN978-1-4070-8808-two.
  • Jackson, D. Michael (2018). The Canadian Kingdom: 150 Years of Constitutional Monarchy. Dundurn. ISBN978-ane-4597-4119-5.
  • Lloyd, Christopher (1991), The Queen'south Pictures, Royal Collectors through the centuries, National Gallery Publications, ISBN 0947645896
  • Lloyd, Christopher (1999). The Paintings in the Royal Collection: A Thematic Exploration. Royal Collection Enterprises. ISBN978-1-902163-59-viii.
  • McClure, David (2015). Royal Legacy. Thistle. ISBN978-1910198650.
  • Morton, Andrew (1989). Theirs Is the Kingdom: The Wealth of the Windsors . Michael O'Mara Books. ISBN978-0-948397-23-3.
  • Paxman, Jeremy (2007). On Royalty. Penguin Developed. ISBN978-0-xiv-101222-3.
  • Piacenti, Kirsten Aschengreen; Boardman, John (2008). Ancient and Mod Gems and Jewels in the Drove of Her Majesty The Queen (PDF). Majestic Collection Trust. ISBN978-1-902163-47-5.
  • Roberts, Jane, ed. (2002). Royal Treasures: A Gilded Jubilee Celebration. Royal Collection Trust. ISBN978-1-9021-6349-9.

Further reading [edit]

  • Bird, Rufus; Clayton, Martin, eds. (2018). Charles 2: Fine art & Power. Regal Collection Trust. ISBN978-1-909741-44-7.
  • Cornforth, John (1996). Queen Elizabeth the Queen Female parent at Clarence House. Michael Joseph. ISBN978-0-7181-4191-2.
  • MacGregor, Arthur, ed. (1989). The Late King's Goods. Alistair McAlpine. ISBN978-0-19-920171-vi.
  • Millar, Oliver (1977). The Queen's Pictures . Weidenfeld & Nicolson. ISBN978-0-297-77267-5.
  • Parissien, Steven (2001). George IV: The Grand Entertainment. John Murray. ISBN978-0-7195-5652-iv.
  • Plumb, J. H.; Wheldon, Huw (1977). Royal Heritage: The Story of Britain's Royal Builders and Collectors . BBC Books. ISBN978-0-563-17082-2.
  • Roberts, Jane, ed. (2004). George III and Queen Charlotte: Patronage, Collecting and Court Taste. Royal Drove Trust. ISBN978-i-9021-6373-4.
  • Roberts, Jane (2008). Treasures: The Royal Collection. Purple Collection Trust. ISBN978-ane-905-68606-three.
  • Rumberg, Per; Shawe-Taylor, Desmond, eds. (2017). Charles I: King and Collector. Royal Academy of Arts. ISBN978-1-910350-67-6.
  • Shawe-Taylor, Desmond, ed. (2014). The Outset Georgians: Art & Monarchy, 1714–1760. Purple Collection Trust. ISBN978-1-905686-79-7.

External links [edit]

  • Official website
  • YouTube aqueduct
  • Vimeo channel

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Source: https://en.wikipedia.org/wiki/Royal_Collection

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